James Holden’s hair is so much longer now. In a recent press shot accompanying the announcement of Imagine This Is A High Dimensional Space of All Possibilities, his first album in five years, it frames his face in wisps and lustrous swoops. It’s almost mystical, hood-like and… shamanic. It’s a
British electronic duo Overmono are about to release their debut album, Good Lies. It seems like a strange thought, given how ingrained they are in the culture of contemporary British club music. By all accounts, they’ve become essential players in the scene, akin to Burial in status, their work in
Pinpointing French producer Brodinski will likely land you somewhere between the grotesque body music of Gesaffelstien and the woozy stoner trap of Lil’ Wayne. Enamoured of both the sounds of street and club, Brodinski has been reinventing electronic music and hip-hop quietly for some time now, though less prolifically as
The past two years have seen German producer Bryan Müller, AKA Skee Mask, establish himself as a contemporary visionary in electronic music. His sound, which spans from vaporous manifestations of techno to minimal deconstructions of bass and breaks, gathers influences from leaders in club music over the past two decades
I’d like to begin this year with an introduction. Hi, my name is Tazmé Pillay. Editor of The Playground. If you’ve read most of the reviews and think pieces that we do here, chances are you’ve read most of my work. Coming into the end of last year, I knew
If anyone over the past year can truly claim the title of ‘viral sensation,’ it’s the UK’s PinkPantheress. The alt-pop singer’s quick, energetic tracks may be programmed for the algorithm that thrust her into the cultural conversation, but it’s her undeniable talent that has made her a part of discourse.
The term ‘progessive house’ has come a long way since it was first coined in the 90’s to describe a new sound coming out of Britain that fused UK house with touches of techno and trance, being formulated by the likes of The Chemical Brothers, Fatboy Slim, but most significantly,
English producer Seamus Rawles Malliagh, AKA Iglooghost, has occupied a more influential space in contemporary electronic music than one might expect. His sound, an experimental amalgamation of glitch, bass, and street culture formulated for the internet age has made Iglooghost particularly trendsetting, perhaps even more so than his peers like
From nu-disco bangers to hard hitting industrial bass, we roundup our favourite releases of the week. Listen below. Follow our Roundup Selections playlist on Spotify to stay updated on what we have on repeat. PNAU, Troye Sivan – You Know What I Need Continuing the nu-disco trajectory set out
Earlier this year, Australia’s Jordan Alexander, AKA Mall Grab, released his debut album. What I Breathe was largely an extended love letter to Alexander’s adopted home of London, pulling from influences of UKG, jungle, and rave. The album saw Alexander at a significant point of growth creatively, exploring new sounds
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