Last year, electronic noise rock band HEALTH released their fifth album DISCO4: PART I, a magnum opus for the Los Angeles outfit that saw them collaborate with high profile acts across the electronic, industrial, and metal scenes, including 100 Gecs and Perturbator. The result was a reinvention of sorts, an
Darkwave / Electronic Rock / Goth / noise rock / nu-metal / post-punk
Of all hyperpop and alt-pop’s current graduating class, perhaps no one truly loves pop music more than Sonikku. The London producer’s somewhat nerdy passion for the genre has seen him synthesise the dance pop of his wildest dreams with the giddy excitement of a child in a candy store. Cutting
Austrian duo HVOB were discovered via SoundCloud. Part of a wave of early 2010’s producers whose break came inherently tied to burgeoning internet culture, what set them apart was not their presentation online, but rather as a live act. At the fore of the then emerging trend of combining live
Last year as clubs and venues around the world slowly began the process of crawling out from under the weight of lockdown, So U Know surged to the fore as the definitive track leading ravers back into the light. One of two original tracks created by UK duo Overmono for
Bass / Breakbeats / Drum'n'bass / lo-fi house / Melodic Techno / UKG
From expertly crafted tech house to simmering latin flavoured tech, we roundup our favourite releases of the week. Listen below. Follow our Roundup Selections playlist on Spotify to stay updated on what we have on repeat. Pabllo Vittar & Rina Sawayama – Follow Me Brazilian pop sensation Pabllo
Acid House / acid techno / AfroHouse / afrotech / Alternative / House / Pop / Tech House / Techno
The new generation of goth artists currently emerging are mostly millennial/Gen-Z cusps, raised on a diet of the noxious nu-metal of early 2000’s and My Chemical Romance, supplemented with the drama of Evanescence and HIM. But specific to this generation of alternative, children of the darkness is a sort of
The phrase ‘disrupting techno’ is one that gets thrown around a lot in electronic music and critics circles, usually in reference to an act who breaks the mould of techno purism, but for all accounts is still making techno. As a style born as a form of disruption in of
acid techno / EBM / IDM / Industrial / minimal tech / Techno
New York producer Vitesse X used to make shoegaze. It makes sense that she was drawn to George Clanton’s 100% Electronica movement (née label), known for their futuristic chill and vaporwave and most recently, their cyber-rave VR events that streamed over the course of lockdown. It was here that Vitesse
Oh, electroclash. That glorious moment between the late 90’s and early 2000’s when the sound of the European underground was defined by a seedy sort of glamour, simultaneously grimey and glittery in the name of vanity, hedonism, and deliciously louche excess. Pulling both visual and sonic aesthetics from the New
Electroclash / French house / Italo / New Wave / retro / Synthpop / Synthwave / Techno
On last year’s Reporting From Detroit, minimal techno visionaire Terrence Dixon mapped a portrait of the city that made him. Like sonic cartography, the music on Reporting echoed the architecture of his home city, both physical and social. Sparse, spacious, yet simultaneously dense, Dixon notes how his ‘Detroit techno’ comes
