MagazineReviews(Page 41)

The visualisers for the music from British producer Bonobo’s seventh album, Fragments, have all played with the dynamics of light as it interacts with the natural world. For Rosewood, one of the album’s first singles, the ocean and a mountain coastline blur into a singular wormhole. For Tides (and Fragments

Back in 2018, British avant-pop star FKA Twigs was on the precipice of unleashing her sophomore studio album, 2019’s Magdalene. Perhaps her most complex work to date, on Magdalene she entered into a deep character study on the enigmatic Biblical figure, pulling from her a sort of fierce but mournful

Russia is fascinating place, culturally speaking. Seemingly insular, the music that arrives from this part of the world is often incomparable to anything else that’s happening right now. Sure, there’s the odd Tatu or to some extent even Pussy Riot, but for the most part Russia’s artists have avoided assimilated

From classic PC Music mutations to atmospheric tech-house programmed for rainy days, we roundup our favourite releases of the week. In no particular order:  Angel-Ho – Silent Plateau  Angel-Ho approaches music much in the same way as a performance artist; bursts of improvisation followed through with a bit of refinement.

If you were to ask us which continent is currently at the forefront of electronic music’s future, we wouldn’t hesitate to say that it’s *Africa. Let’s look at the facts. In the past two years, the sound of South Africa’s amapiano has essentially gone viral and has infiltrated most of

Last year, American singer-songwriter The Weeknd announced that he would be boycotting the Grammy Awards and that none of his future music would be submitted for consideration. This followed a snub that shocked the world for an album heard by almost all of the world. The album in question, 2020’s

Aleksi Perälä is the definition of a stalwart. The Finnish producer has been programming tunes to move your body to since the late 90’s. But his most distinct quality is his ability to evolve his sound with the times; he’s always created left-field EBM that walks the tightrope between techno

The last we heard from Japan’s Soshi Takeda, he was making Balearic vaporwave inspired by a book of vintage Chinese landscape paintings and sounding like it could be the soundtrack to a Final Fantasy reboot for Nintendo. Floating Mountains, made entirely by using retro synths and technology, was a strikingly

Ah, the new year. Our annual clean slate. A time to reflect on another 365 days around the sun, pick up the pieces from the year gone by and hit reset. It’s a time of looking forward to things, and if you’re anything like us it’s the prospect of new

It often feels as if Burial occupies an entirely different time space to everyone else, an outsider quality that has made the UK producer both icon and enigma. Maintaining a ghost in the machine aura that’s had people guessing he could actually be anyone from Four Tet to Skrillex for

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