MagazineReviews(Page 54)

Gary Numan gives Planet Earth a voice on dark new album, ‘Intruder’

Image still from video by Chris Coner Few artists can lay claim to a career as iconic as that of Gary Numan’s. The synthpop icon has had the rare sort of longevity that has, albeit at times quietly, spanned decades. The early dystopian electro-pop of his 1979 debut The Pleasure

Weekly roundup: what we’ve had on repeat

Image by Kiran Gidda From psychedelic 8-bit meditation music to improvised post-modern jazz, these are the releases that caught our attention this week. In no particular order: UNKNOWN ME, Bishintai That the debut LP from Tokyo group UNKNOWN ME opens with an automated voice instructing “this music is gentle practice

Perturbator is giving synthwave a dark baptism on new album, ‘Lustful Sacraments’

Image by David Fitt It has become clear across his discography that French darkwave and synth overlord Perturbator is constantly evolving and pushing the boundaries of his sound. While the science fiction inspired retro synthwave aesthetic can quickly outmode itself once the nostalgia wears off, Perturbator has avoided this by

Schwefelgelb keep the pulse of the underground alive on new EP, ‘Der Rest Der Nacht’

Image: n-PLEX This far into the era of lockdown, the relentless thud and rattling synths of 130BPM hard techno feel like a strange fever dream or the sound of a memory from another lifetime. Never before has the pounding snarl of the sound of the underground felt so out of

On ‘Reflection’, Loraine James finds stillness in the chaos

Image: Hyperdub There is a moment on Reflection, the third album from London producer Loraine James, where she confronts her audience directly, casually breaking the fourth wall on a track titled Self Doubt (Leaving The Club Early). “I know you may not like this one. But it’s just fun, you

Peggy Gou returns with downtempo new single, ‘Nabi’

Image: Gudu In 2019, Peggy Gou unleashed Starry Night upon the world. Released via her own label Gudu as a part of the Moment EP, the minimal house track was at once effortlessly cool. With it’s melodic bass and infectious piano riff, it became a massive breakout hit for the

Weekly Roundup: what we have on repeat

Image by Agata Ferrando From vintage 80’s Euro-synthwave to experimental West African IDM, these are the releases that caught our attention this week. In no particular order: Ikram Bouloum – Ha-bb 5 (EP)   As a conversation between the sounds of Bouloum’s Moroccan heritage and the aesthetics of Western electronic

‘Jade 玉观音’ is the foreboding new album from sound artist Pan Daijing

Image: PAN If you are new to the work of Pan Daijing, you’re in for a trip. The Guiyang-Berlin based songwriter and, more accurately, sound artist will take you to the darkest, most uncanny parts of our lived experience and will deliver you feeling both enlightened and terrified. Daijing’s work

Maxwell Sterling’s ‘Turn of Phrase’ is breathtaking

Image: AD 93/WHYT043 To call Maxwell Sterling simply a composer doesn’t really feel right. The Manchester born artist, who works primarily in scoring for film and media, has behind him a body of work that often transcends its own definition. The soundtracks he crafts for film display his innate sense

The Holy Grail of Ricardo Villalobos tracks has been found, and it’s a whole vibe

Image: black.round.twelve There was a time before the hour-long microbeat acid trip of Matsu that Ricardo Villalobos was busy crafting the music that would, in so many ways, shape his genre. Arguably one of the foremost pioneers in the minimal techno and micro-house scenes, the Chilean-German producer and DJ’s early

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