If you were to ask us which continent is currently at the forefront of electronic music’s future, we wouldn’t hesitate to say that it’s *Africa. Let’s look at the facts. In the past two years, the sound of South Africa’s amapiano has essentially gone viral and has infiltrated most of
Breakbeats / drill / drill'n'bass / grime / Hip-Hop / Jungle / trap
Ah, the new year. Our annual clean slate. A time to reflect on another 365 days around the sun, pick up the pieces from the year gone by and hit reset. It’s a time of looking forward to things, and if you’re anything like us it’s the prospect of new
Chillwave / Electropop / Garage / House / hyperpop / New Album / New Releases / Synthpop
2021 has been a year for dance and electronica quite like no other. Coming out the other end of a pandemic where isolation became the new normal and online party Club Quarantine became the new Berghain, the future of a form inherently rooted in human connection and our instinct to
electronic music producer / House / IDM / jersey club / lgbtq / New Album / new electronic music / New Music / post-club / Remix / Techno
Indiana producer Jlin’s polyrhythms and syncopations might appear as apparent chaos, but therein lies the brilliance of her skill as sound designer or perhaps more appropriately, auteur. With her origins in footwork, Jlin has continuously broken the boundaries of her own genre, cooking up increasingly more ambiguous drum beats and
Over the past few years, Namibian born DJ and producer Gina Jeanz has risen to prominence as one of the foremost female DJs on the South African circuit. Known for her blend of smooth house and Afro fused club beats, she has quickly become a mainstay on the lineups of
When Robert Hood began working under the alias Monobox in 1996, it was to establish a space for him to freely explore his minimal techno ambitions outside of his solo work and Floorplan. Separating the music from the Robert Hood mythos separated it from expectations, opening the floor for Hood
It’s official. Blawan is weird again. There was a point at which it seemed that the UK DJ-producer had switched tactics toward, dare we say, more straightforward techno ambitions. Perhaps the expectations pegged on him following his breakout single Why They Hide Their Bodies Under My Garage? were always going
Harmattan, the latest project from London based multidisciplinary composer Klein, opens with a simple enough gesture; a piano aria. But as for solo / piano reaches its apex, the chords scatter and spin erratically before surging into the sparse syncopation of roc. It’s intrinsic to the album’s namesake; the harmattan
ambient / Avant-Garde / experimental / music producer / Neo-Classical / New Album / UK
What more is needed to prove that South African dance music is taking over the world? Gqom and amapiano are currently the country’s hottest cultural exports, and Black Coffee has just been nominated for a Grammy for Best Dance/Electronic Album. It’s easy to see how gqom in particular resonates beyond
Timedance, the label run by Bristol producer Batu, has become synonymous with innovation. The releases here are challenging in the way that they explore and subvert the trends of the Bristol underground, often arriving at uniquely distinct formulations of the sound of the club. Much of this is due to
