PRLatest Press(Page 21)

XYZ Magazine interviews Robin Romei

XYZ Magazine talks to Robin Romei about his influences, touring and his upcoming new single, “Vapours.” Read here

XLR8R premiers Magical Mistakes’ remix of We Cut Corners “Blue”

XLR8R presents the premiere of Magical Mistakes’ remix of We Cut Corners’ single “Blue.” “The pairing of Osaka, Japan transplant Magical Mistakes and Irish indie-rock duo We Cut Corners may seem an odd one, but nothing sounds out of order on the former’s remix of “Blue.”” Listen here

Thomas Cook feature Brendan Benson

Brendan Benson talks to Thomas Cook Magazine about his hometown, Nashville. Read here

UNCUT gives Brendan Benson’s “You Were Right” 8/10

UNCUT awards an outstanding 8/10 for Brendan Benson’s 6th studio album “You Were Right.” “Another modest triumph by the underrated songwriter…” Read here

Pop Press International video premiere for We Cut Corners’ “Best Friend”

Pop Press International present the US premiere of We Cut Corners’ new single “Best Friend”. “The song starts with multi-tracked, rhythmic vocals sputtering over of minimalist production but soon explodes into a fury of gritty guitars and a cacophony of drums and symbols.” See it here

Absolute Radio’s Frank Skinner plays “Best Friend” by We Cut Corners

Frank Skinner of Absolute Radio plays “Best Friend” by We Cut Corners alongside tracks by U2, Arctic Monkeys & Blur.

Amazing Radio’s Jim Gellatly plays We Cut Corners’ “Blue”

We Cut Corners’ new single “Blue” gets airplay by Jim Gellatly on his Amazing Radio show. Listen here (15mins 30s)

Amazing Radio Simon Raymond plays Black Light White Light’s “Sex & Fury”

The new B-Side from Black Light White Light gets airplay from Simon Raymond of The Cocteau Twins & Amazing Radio. Listen here

Subbacultcha feature We Cut Corners’ “Blue”

Subbacultcha give a great feature on We Cut Corners’ new single “Blue.” “An astonishingly dynamic single, full of coursing drums, guitars jangling simple chords with vocals that are blessed with a primal howl….” Read here

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